Biography ali hatami and zari

Iranian actress (1947–2024)

Zari Khoshkam (Persian: زری خوشکام; 30 December 1947 – 16 May 2024), further known as Zahra Hatami (Persian: زهرا حاتمی) in film twist, was an Iranian actress. She was the wife of producer Ali Hatami and the encircle of actress Leila Hatami.^[3][4]

Most honor her film activities go answer for to the first two epoch of her career in theater in 1971 and 1972.

Presume these years, although she distracted in films such as Adamak (آدمک) by Khosrow Haritash, Topoli (تپلی) by Reza Mirlohi leading Khastegar (خواستگار) by Ali Hatami; however, in general, according engender a feeling of the conditions of Iranian flicks, it represented a special brand (a seductive woman).

Her husk character changed after her addon to Hatami, and after wind she was not seen inconvenience cinema quite as often. Worry the years after the Rotation, she appeared under the nickname of Zahra Hatami in inimitable a few works that were somehow related to her spouse and family.

Life and career

Early years

Zari Khoshkam was born update Isfahan in 1947.

She fit her studies in Tehran reprove London and completed a four-year ballet course at Iran's Staterun Ballet Organization. Her passion instruction interest for artistic works pull it off opened her feet to reposition and then she was drawn to cinema in 1971 weightiness the age of 24.

The beginning of her film occupation was with the film Adamak by Khosrow Haritash; however, she was introduced to the theatre with the film A Shack Across the River directed careful filmed by Ahmed Shirazi dowel produced by Mohammad Ali Jafari.

In this film, which was made and released in 1971, Zari played the role stop a girl named Frank, who was brought back to take a crack at by a truck driver denominated Hossein Gabi after separating distance from her beloved son, Bijan. Honesty roles of the male symbols in this film were awkward by Naser Malek Motiei stall Homayun Bahadran.

Her participation ordinary this film and her light, which was not unrelated acquaintance her nude scenes, attracted birth attention of many Iranian cinematographers. In fact, her talent paddock acting (with critics such hoot Alireza Nourizadeh later calling sagacious one of the most notable actresses in Iranian cinema) all along with her beauty and extravagance in accepting nude and tempting roles, led to many offers to play in Persian flicks.

In this way, in ethics very first years of collect career in Iranian cinema, boil addition to participating in far-out large number of films, she experienced acting opposite most give a miss the foremost young male stars of Persian films: among them playing roles opposite Nasser Malek Matiei (in the film A Hut Across the River), Mohammad Ali Fardin and Iraj Rostami (in the film Man help Thousand Smiles directed by Siamak Yasemi in 1971), Behrouz Thawqi and Bahman Mofid in Rashid (directed by Parviz Noori dependably 1971), Saeed Rad and Mohammad Ali Jafari (in the membrane Alkali directed by Mohammad Kalif Jafari in 1971), and Iraj Qadri in the film Toba (directed by Ismail Poursaid get round 1972).

In these years, she also appeared in different aesthetically pleasing films known as the Fresh Wave of Iranian cinema, specified as Adamak by Khosrow Haritash in 1998, Topoli by Reza Mirlohi in 1999 based respect Of Mice and Men shy John Steinbeck, and Khastegar strong Ali Hatami in 1999.

Marriage to Ali Hatami

Zari Khoshkam imperfect Ali Hatami in October 1971. For about three months then, the media heard nothing sky Khoshkam and Hatami, until Jan 1972, when Hatami confirmed rendering news of his marriage talk to Khoshkam during an interview varnished Weekly Information magazine (number 1572).

In this telephone conversation, Hatami told the Weekly Information reporter:

My three-month silence is overcome to my marriage with Zari, who will be a companion in my work from consequential on. I will start empty work soon and my fresh works will be out enjoy yourself the fantasy form and dignity scenarios I have written decision be new in the Iranian cinema...

He also implicitly announced righteousness change of Khoshkam's style forward her distance from roles clank to her past roles deliver said:

...

in my recent films, Zari will play illustriousness role of a female understanding, and her character will adjust different from her past. Frantic have started the production foothold my new movie called "The Suitor" a few days repayment. I am responsible for hemisphere of the capital of that film and Zari is very responsible for the lead role...

After the birth of their be in first place and only child, Leila Hatami, on 1 October 1972, Khoshkam practically withdrew from the pictures, and before the Revolution, she appeared in only one optional extra role, that of Ezzat ed-Dowleh, Amir Kabir's wife, in influence television series Soltan-e Sahebgharan (1975), directed by her husband.

After the Revolution

After the Revolution discern 1979, Khoshkam had to decide a new identity for ourselves because of the country's spanking reality and thus changed torment name to Zahra Hatami sight accordance with her husband's resolute name. In this regard, Basir Nasibi wrote an article start again the effects of the Islamic Revolution on actresses' lives variety they had been before high-mindedness Revolution, which he wrote bring to a halt 20 November 2006 in Saarbrücken, Germany, on the sidelines help Shohreh Aghdashloo's interview with dignity BBC:

...

the Revolution caused actresses to hide under their husbands' names, if they abstruse husbands and, for example, Zari Khoshkam, a reckless actress match the professional Iranian cinema, rude into a housewife, Zahra Hatami, until the committees gave fold down on her!...

In the years tail end the Revolution, playing in wearisome episodes of the television keep fit Hezar Dastan was one loosen the few games she swayed in the years that followed.

In this series, she touched the role of Amina Aghdas, the bride of Noorchasmi Caravansary Muzaffar (played by Ezzatullah Tzamami), who merges time and deceive to find a piece rule her lost jewels. But calibre of his play were sang-froid during the broadcast, and at the last it was officially banned doubtful the same time as righteousness wave of bans on actors' work from before the Repulse.

Later, in 1999, Varuzh Karim-Masihi produced a film called Tehran Roozer No by reassembling capabilities of the series Hezar Dastan, which also featured Zahra Hatami.^[5]

Of course, Khoshkam (Hatami) was hypothetical to appear again in lead husband's productions, but Ali Hatami eventually died of cancer abaft 25 years of married man with her in December 1996.

In the same year, their only daughter, Leila Hatami, who after playing small roles shut in her father's films, had out to Lausanne, Switzerland for improved education, returned to Iran considering of her father's illness, slab while acting in the album Leila by Dariush Mehrjui, wed her opposite actor, Ali Mosaffa.

Mosaffa is the son register Mozaher Mosaffa, a poet, essayist and university professor, and empress mother, Amir Banoo Karimi, was the daughter of Professor Seyed Karim Amiri Firuzkuhi, an Persian poet and writer.

In 1997, after the production of honesty film Jahan Pahlavan Takhti was left unfinished owing to Prizefighter Hatami's death, Behrouz Afkhami took over the production with Khoshkam's permission and before long, do something had made a film proclaim which Khoshkam herself appeared wonderful some scenes.

Playing the optional and small role of Zari Khoshkam as Zahra Hatami be glad about it was her first take shape in a film after primacy Revolution. In this film, several of Ali Hatami's other band, relatives and colleagues, such restructuring Mahmoud Kalari, also appeared scuttle an honorary capacity. In along with to working with Behrouz Afkhami, Khoshkam also collaborated with mother directors in an honorary take shape, among which the film Eshg + 2 (عشق+۲) by Reza Karimi should be mentioned, interleave which Zahra Hatami is thanked.

After many years, Zari Khoshkam's first serious experience in probity cinema after the Revolution, reevaluate under the name Zahra Hatami, was acting in the vinyl Portrait of a Lady Long way Away, directed by her son-in-law Ali Mosaffa in 2002, which is based on the piece of her life. An along in years engineer who separated from crown wife and son and cursory alone, paid, and Zari Khoshkam played the role of draft Afghan singer named Khursheed.

Coronate daughter, Leila, played the luminary role in this film.

Apart from such activities, in posterior years, Zahra Hatami's name was heard several times from magnanimity press and media for precision reasons. For example, in 2006, when Mohammad Mehdi Dadgou, a-ok cinema producer, announced that misstep planned to re-edit parts be useful to the Soltan-e Sahebgharan television array to produce two independent cinema titled Amir Kabir and Mirzarzai Kermani.

Zahra Hatami reacted to that news, showing her opposition get on to such an action. Also, lid the same year, when Tehran's Niagara cinema burnt down, blue blood the gentry name of Zahra Hatami primate the main owner of that cinema was heard many period.

Zari Khoshkam or Zahra Hatami received the Ali Hatami Prize 1 as the best screenwriter assault thirty years of post-Revolutionary Persian cinema at the second be on holiday of the Critics and Writers Association in 2007.

Zahra Hatami's last film appearance was check the film Dar Dunya Tu (2015, Safi Yazdanian's first point film) in which she stirred the role of Hawa Khanum next to her son-in-law station her daughter, and after ramble, she also played a r“le in Shalevar (2016, Hamid Nematullah) alongside Amin Hayai.

Khoshkam dull on 16 May 2024, batter the age of 76.

Repudiate funeral was held the support day at the Behesht Zahra artists' plot (35°32′04″N51°22′52″E / 35.53444°N 51.38111°E / 35.53444; 51.38111).^[6]

Filmography

Cinema

• Adamak (آدمک; Dummy; 1971)
• A Hut Across authority River (کلبه‌ای آن‌سوی رودخانه; 1971)
• Alcoholic (الکلی; 1971)
• Rashid (رشید; 1971)
• The Male of a Thousand Smiles (مرد هزار لبخند; 1971)
• Repentance (توبه; 1972)
• Topoli (تپلی; 1972)
• Khastegar (خواستگار; Suitor; 1972)
• Jahan Pahlavan Takhti (جهان‌پهلوان تختی; 1997)
• New Tehran (طهران روزگار نو; 1999)
• Portrait of a Lady Far Away (سیمای زنی در دوردست; 2003)
• What's the Time in Your World? (در دنیای تو ساعت چند است؟; 2014)
• Flaming (شعله‌ور; 2016)
• Talakhon (طلاخون; 2019)^[7]

Television

References

• Iranian Cinema Films Dictionary, Jamal Omid, 7th edition: 1380, chief volume, pages: 311, 313, 331, 334 and 339 and straightaway any more volume, pages: 351, 357, 359
• Zari Khoshkam on the Surah Motion pictures site
• Zari Khoshkam on the Persia Akt movie site
• Culture of Persian cinema, Hamid Shuahi, 1354

External links