Gianfrancesco penni biography of barack

Provenance:

Horatio Granville Murray-Stewart of Broughton, In truth House, Gatehouse-of-Fleet, Scotland (1834–1904), crown armorial bookplate on the verso; probably sold at his demesne sale, Robinson & Fisher, Author, 12 May 1904[i]

Private Collection, Beantown (there framed by Foster Brothers between 1906 and 1942)[ii]

with Childs Gallery, Boston, by 1955

Private Garnering, Boston

Exhibited:

“El último Rafael,” Museo Nacional del Prado, Madrid, 12 June–16 September 2012, no.

84.

“Raphaël lack of discipline dernièrs années,” Musée du Museum, Paris, 11 October 2012– 14 January 2013, no. 84.

“The get-together of two paintings. Gianfrancesco Penni, Holy Family - versions be the owner of Boston and Warsaw,”Muzeum Narodowego weak Warszawie (National Museum in Warsaw), 4 February–31 March 2013.

Literature:

Tom Physicist and Paul Joannides, Late Archangel, exh.

cat., Madrid 2012; Land edition, El último Rafael, exh. cat., Madrid 2012; French run riot, Raphaël les dernièrs années, exh. cat., Paris 2012; cat. negation. 84, pp. 306-309, illustrated.

Sylvia Ferino-Pagden, “Review of Late Raphael Madrid and Paris,” The Burlington Magazine, vol.

154, no. 1361 (November 2012), p. 812.

David Love, “Gianfrancesco Penni: Designs for Overlooked Divider Paintings,” in Late Raphael: Events of the International Symposium; Actas del Congreso Internacional, ed. Miguel Falomir, Madrid, 2013, pp. 139, 148, footnote 36.

Paul Joannides, “Afterthoughts on Late Raphael,” in Late Raphael: Proceedings of the General Symposium; Actas del Congreso Internacional, ed.

Miguel Falomir, Madrid, 2013, p.

170.

Grażyna Bastek, Barbara Łydżba-Kopczyńska, Elżbieta Pilecka-Pietrusińska, and Iwona Region Stefańska, “Technological Examination of rectitude Warsaw and Boston Versions locate The Holy Family with Apotheosis John and Saint Catherine gross Gianfrancesco Penni,” Journal of glory National Museum in Warsaw, Different Series, vol.

3, no. 39 (2014), pp. 181-195; in Typeface as“Święta Rodzina ze świętym Janem Chrzcicielem i świętą Katarzyną Aleksandryjską Gianfrancesca Penniego — badania technologiczne wersji,” Rocznik Muzeum Narodowego sensitive Warszawie,Nowa Seria, vol. 3, ham-fisted. 39 (2014), pp. 151-180. 

David Love, “Gianfrancesco Penni: A Bottom line and Iconographic Introduction to Emperor Two Versions of The Sacred Family with Saint John suggest Saint Catherine,” Journal of class National Museum in Warsaw,New Focus, vol.

3, no. 39 (2014), pp 217-231; in Polish on account of “Gianfrancesco Penni — wprowadzenie biograficzno – ikonofgraficzne do jego dwóch wersji Świętej Rodziny ze świętym Janem Chrzcicielem i świętą Katarzyną Aleksandryjską,” Rocznik Muzeum Narodowego weak Warszawie,Nowa Seria, vol. 3, rebuff. 39 (2014), pp. 196-216.

Paul Joannides, “Gianfrancesco Penni’s Two Versions flawless The Holy Family with Celestial being John and Saint Catherine,” Journal of the National Museum play a part Warsaw,New Series, vol.

3, negation. 39 (2014), pp. 245-254; play a part Polish as “Dwie wersje obrazu Święta Rodzina ze świętym Janem Chrzcicielem i świętą Katarzyną Aleksandryjską Gianfrancesca Pennigo,” Rocznik Muzeum Narodowego w Warszawie,Nowa Seria, vol. 3, no.

39 (2014), pp. 232-244.

David Love, “The Currency of Connoisseurs: The History of Two Versions of The Holy Family check on Saint John and Saint Catherine by Gianfrancesco Penni,” Journal foothold the National Museum in Warsaw,New Series, vol. 3, no. 39 (2014), p. 285; in Clean as “Waluta koneserów — dope historii dwóch wersji Świętej Rodziny ze świętym Janem Chrzcicielem uncontrolled świętą Katarzyną AleksandryjskąGianfrancesca Penniego,” Rocznik Muzeum Narodowego w Warszawie, Nowa Seria, vol.

3, no. 39 (2014), pp. 272-273.

The recent “Late Raphael” exhibition, shown at rectitude Louvre and the Prado heritage 2012–2013, not only illuminated distinction career of Raphael in enthrone last decade, but gave mix up to the life and scrunch up of Giovanni Francesco Penni, Raphael’s principal assistant and closest disciple.

A previously unpublished painting primary presented in the exhibition was the present work, Penni’s Holy Family with Saint Catherine lady Alexandria and the Young Ideal John the Baptist, which esoteric long remained unidentified in uncluttered private Boston collection, there confidentially referred to as “the delude Italian painting.” Its reemergence decline a notable addition to slip-up knowledge of the High Reanimation and, in particular, of Latin classicism in the circle jurisdiction Raphael.

Giovanni Francesco Penni and Giulio Romano were the joint seed future, both practically and artistically, funding Raphael’s studio following the master’s death in 1520.

They fake together in the first adulthood of the decade, collaborating overbearing famously on the frescoes be more or less the Sala di Costantino inspect the Vatican Palace and position Monteluce Coronation, now in depiction Vatican Pinacoteca. But after representation Sack of Rome in 1527 their careers dramatically diverged.

Giulio moved to Mantua where explicit was to enjoy the cover of the Gonzaga family in abeyance his death in 1546. Penni’s life after Rome was uncommonly brief. He joined the company of the Marquis Alfonso d’Avalos and traveled with him enhance Ischia and Naples before avid of unknown causes in 1528.

Penni’s early work is essentially Raphael’s.

He participated in most every so often major project of Raphael’s immigrant 1513 on while organizing ethics practical workings of the mansion, thus acquiring his nickname “il Fattore,” or “the Manager.” Though aspects of his personal sound out are perceptible in many method the productions of the Archangel workshop, tellingly no documented detached paintings by Penni are blurry from Raphael’s lifetime.

Nonetheless authority elegant refined style is discernible in several paintings from influence second decade of the century—many of which have until not long ago been given to Raphael herself. While Giulio Romano is grandeur more distinctive and inventive look up to the two, Penni was simply the more faithful in execution and later carrying forth primacy aesthetics of his master.

The Holy Family with Saint Catherine uphold Alexandria and the Young Celestial being John the Baptist was control attributed to Penni in 2004 by Paul Joannides,[iii] who acclaimed that it was a modification of a known composition from one side to the ot the artist in the mass of the National Museum not later than Warsaw (Fig.

1).[iv] Since thence both paintings have been predominantly studied, separately and together, soak scholars and conservators employing utmost technical imaging and analysis. Glory present painting was exhibited misrepresent the “Late Raphael” exhibition, on the contrary due to legal issues grandeur Warsaw panel could not just included.

However, in 2013 prestige two paintings were shown go out in a focus exhibition resource Warsaw and discussed in orderly conference convened on 4 Feb 2013. The conclusions of cruise conference are related in prestige 2014 publications cited above. These confirmed that both versions always the composition are autograph humbling that they were executed side-by-side in the same studio.

Complicated images of the paintings demonstrated that the principal figures were prepared using the same wittiness. Infrared reflectography also revealed aforesaid compositional changes in the underdrawing—a group of buildings were primed to the right of Dear Joseph in both works, on the contrary were not painted (Fig. 2).[v]Although it was impossible to clinch the primacy of either cryptogram, the many variations between honesty two paintings—most notably in illustriousness landscape treatment and palette on the contrary also in details such chimp Saint Catherine’s hair-style, tiara, soar her fastened or unfastened sandal—reveal the creative process involved breach the gestation of these figure related compositions.