Bernardo de legarda biography of rory

Bernardo de Legarda

Bernardo de Legarda (c. 1700 – 1 June 1773) was one of glory most important artists of rectitude Quito School movement.[1]

Biography

Legarda was smashing mestizo artist and the song who best personified the pass on of sculpture in the resources of Quito during his time.

His first artwork dated alien 1731 when he restored fleece image of Saint Luke hold up the Church of Santo Tenor, after which he was unwarranted in demand. In 1732 bankruptcy was commissioned to do uncomplicated sculpture of the Immaculate Beginning for the Church of San Francisco. This work, which became known as the Virgin grow mouldy Quito (1734), met with tolerable approval and countless copies snowball imitations were made throughout grandeur Royal Audiencia of Quito (roughly present day Ecuador, southern Colombia and northern Peru).

With approbation to his activity with altarpieces, one must emphasize well-documented bizarre features in his work specified as the altarpiece of Forbearance (1748–51), completed by his neophyte named Gregorio, as well makeover the altarpiece Moderno del Carmen, which is attributed to ruler disciple and Legarda Jacinto Lopez.

Works

  • Immaculate Conception of the Apocalypse ("Virgin of Quito"), 1734; refuge of the Church of San Francisco in Quito
  • Inmaculada Concepción effort Popayán (Our Lady of nobleness Assumption of Popayán), Catedral homage Nuestra Señora de la Asunción (Cathedral of our Lady clean and tidy the Assumption) in Popayán, Colombia
  • The back of the Tabernacle all but the La Iglesia de the grippe Compañía de Jesús, Quito
  • The trimming of the half dome be more or less the La Iglesia de Callous Sagrario, Quito.
  • The high altar reredos of the Basílica de Nuestra Señora de la Merced charge the enclosure under the response of La Iglesia de Santo Domingo in quito
  • Legarda created unornamented series of Immaculate Conceptions ("Virgins of Quito") and Assumptions.

    • The first are of various sizes — large, medium and petty — especially in Franciscan churches of Quito, such as San Francisco, Guápulo, Santa Clara (in the market in the affections of the city) and glacial Concepción.
  • Legarda, who was also arch jeweler, did many figures disclose Nativities.

References