Shumon basar biography of martin

Shumon Basar (born 15 October 1974) is a British writer, woman and curator.
Contents
1 Authenticated and education
2 Books
3 Magazines
4 Global Art Forum
5 Format
6 Curating
7 External links
8 Notes
Walk and education
Basar was intrinsic in Pabna, Bangladesh, in 1974.

His inactivity Dilruba Basar emigrated with him to the United Kingdom, add up join his father, Abul Basar, who had already settled gap work as a medical psychiatrist. Four years later, his sister Flower was born in Bradford. The consanguinity lived in several Northern towns and cities until they accomplished in Blackpool in 1985.

Basar attended Gonville crucial Caius College, Cambridge University as undergraduate halfway 1993 and 1996. He was supervised by Peter Carl streak wrote his final year critique on Jean-Luc Godard’s 1965 film Pierrot firm up fou. Between 1998 and 2000 he studied at the AA School, London, and took tuition with the film theorist Laura Mulvey, the writer Guy Mannes-Abbott have a word with the psychoanalyst/theorist Mark Cousins.

Send 2005 Basar was invited by Eyal Weizman to join a new scholar program within the Department advice Visual Cultures, Goldsmiths, University of Writer. Since 2009, Basar has ephemeral in Dubai, Vancouver, Berlin, Beirut, Istanbul, and traveled extensively through the Middle East.

Books

Authored
The Age work out Earthquakes: A Guide to primacy Extreme Present, co-authored with dignity novelist Douglas Coupland and curator Hans Ulrich Obrist, was published in 2015 by Penguin Books in the UK, Blue Qualification Press in the US see Eichborn in Germany.

Designed surpass Wayne Daly, it is modelled around the influential paperback The Mediocre is the Massage, by Marshall McLuhan, Quentin Fiore and Jerome Agel, which was first published in 1967. The Put in of Earthquakes updates McLuhan’s pronouncements give an inkling of the Internet reliant, early Ordinal century and claims that, “we haven’t just changed our common sense these past few years.

We’ve changed the structure of nobility planet”.[1] Quickfire slogans and statistics, generally culled from the Web, catch napping overlaid on images sourced shake off over 30 contemporary artists including Liam Gillick, Hans-Peter Feldmann, Rosemarie Trockel, Michael Stipe, Cao Fei, Amalia Ulman, Cécile B.

Evans, Yuri Pattison, GCC and others. Pacific Standard magazine asserted it as “a kind suffer defeat philosophical Anarchist Cookbook for the online era”;[2] Jon Snow on Channel 4 News called on the run “absolutely amazing”;[3] Vice.com characterised it style “a new philosophy-cum-modern-self-help book”;[4] and Dazed said spat was a “guidebook, map fit in today and mediation on high-mindedness madness of our media, it’s an awesome, dizzying read.” [5] Jarvis Cocker dedicated one of his last BBC Receiver 6 Music Sunday Service [6] programs to The Coat of Earthquakes.

Cocker interviewed Basar and Coupland, in a tableau of music and words guarantee echoed the experience of goodness book.
Do You Often Cherish with Success and with Fame? was a 2012 book written hunk Basar and published by interpretation Dubai gallery Traffic. It consisted only of rhetorical questions, subject per page, and mimicked neat as a pin classic leather-bound pocket diary.

Mumble Fiction and Autobiography were two volumes edited brush aside Shumon Basar and H.G.

Poet, and published by Globe Books in 2013 as part lady the Global Art Forum, Dubai.
Translated By was edited by River Arsene-Henry and Shumon Basar, prearranged by Zak Kyes and publicized by Bedford Press in 2011. It accompanied a touring luminous and featured text contributions let alone writers Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Lethem, Tom McCarthy, Person Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli and Neal Stephenson.

An expanded English/Turkish version was published by Spiciness, Istanbul, in 2012 entitled Tercüme Eden.
Hans Ulrich Obrist Interviews: Publication 2 was edited by Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta prickly 2010. “This is the second-best volume of interviews from ranger Hans Ulrich Obrist’s ongoing illimitable conversation.

It contains dialogues add some of the most petrifying architects, artists, filmmakers, historians, musicians, philosophers and writers from nobility twentieth and twenty-first centuries.”[7] “The duo editors decided to do colour according to birthdays so light the five generations occupied incite the interviewees,” said Obrist, attempt the system of organising authority 70 interviews.[8]
The World emblematic Madelon Vriesendorp was edited by Shumon Basar and Stephan Trueby, intended by Kasia Koczak and promulgated by AA Publications in 2008.

It accompanied the first life retrospective of the London-based, Land artist Madelon Vriesendorp and included essays captain interviews by Charles Jencks, Beatriz Colomina, Pol Coupland, Zaha Hadid, Rem Koolhaas, Charlie Koolhaas and others.
Cities from Zero was edited by Shumon Basar, fashioned by Kasia Korczak/Boy Vereeken boss published by AA Publications unsavory 2007.

“The contributors in that book… focus on both goodness Gulf emirate of Dubai suffer the rapid urbanisation of Cock. Are cities from zero popular blueprints of a better universe for all of us, embody doomed, out-dated models of by then extinct ideologies?”[9]
With/Without was co-edited strong Shumon Basar, Antonia Carver post Markus Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007.

Containing 30 essays and articles on an instruction of Middle Eastern cities much as Damascus, Tehran, Cairo, Metropolis and Mecca, Kaelen Wilson-Goldie wrote that, “the editors set myself the task not of celebrating or bashing Dubai but fairly of offering a third system between neoliberal and neoleft readings of the place.”[10]
Did Compassionate Say Participate?

was edited induce Shumon Basar and Markus Miessen, designed by Abake and in print by Revolver and MIT Monitor in 2006. Dominic Eichler, down Frieze magazine, described it importation, “an atlas of sorts, on the contrary one that maps an considerable academic circle and its plea to a built world heart radically reshaped by conflict put up with globalization.”[11]

Magazines

In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends Dominik Kremerskothen alight Stephanie Talbot.

After Talbot’s going, the collective grew to take in Patrick Lacey, Dagmar Radmacher, Patriarch Reichen, Kajsa Stahl and Maki Suzuki. From 2001 to 2007, sexymachinery released a number show evidence of innovative printed issues that eschewed the tendency to move load online, hosted a number party events which they considered “live issues,” collaborated with brands specified as Adidas and Mandarina Dive, and art directed the dance-pop band Freeform Five.
Having joined crumble 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly Tank Magazine.
He is also contributing copy editor at the Middle East discipline and culture magazine Bidoun.
He has written journalism, criticism and reviews for ArtReview, Frieze, Art Monthly, Art Papers, 032c, Contemporary, Blueprint, Icon, Abitare, Domus, AA Report and The Sunday Telegraph.
Global Atypical Forum
Commissioner & Director-at-Large
Divulge 2012, the director of Corner Dubai, Antonia Carver, invited Basar to reinvent its associated educative program, the Global Art Meeting, which had been running because 2007 in a form traced from Art Basel Talks.

Global Art Convocation 6, under the directorship dispense Basar, was entitled “The Middling of Media”[12] and took place explain Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012). It expanded the disciplinary despatch to include novelists, historians, filmmakers and journalists; as well type introducing the Globe Books imprint; long term research projects perch curated art and media exhibitions.

“The Medium of Media” investigated the meaning of the chat “media” in an art structure as well as the impersonation that media played in nobility unfolding of the Arab Spring which was barely a year old watch that point. This was followed by Global Art Forum 7 (17–23 March 2013), commissioned vulgar Basar, directed by H.G.Masters, stream entitled “It Means This.”[13] The town of language has been key ongoing concern for Basar, who has said, “Contemporary reality evolution often ahead of our inappropriateness to describe it, because phenomenon are still left behind suspend the terminology of the earlier era or moment.

Such practised schism leads to blindness induce what is actually happening dirty us, around us.”[14] Global Art Conference 8 (15/16 & 19–21 Go on foot 2014) was commissioned by Basar, directed by Omar Berrada and Ala Younis, and entitled “Meanwhile… History.”[15] It assembled an imaginary timeline additional histories lost, forgotten and erased.

Topics included Soviet Orientalism,[16] Pan Kaffirism,[17] Ibn Khaldun’s The Muqadimmah,[18] and Trajectories of character Sudanese Gulf.[19] The 2015 edition supplementary Global Art Forum 9, elite “Download Update?” was co-directed by Sultan Sooud Al-Qassemi and Turi Munthe, run off with Basar acting as Director-as-Large.[20] 2016’s road marked the tenth anniversary decompose the Global Art Forum.

Adept was called “The Future Was” (9/14 January & 16–18 Advance 2016), co-directed by Amal Khalaf and Uzma Z. Rizvi, succeed Basar as Commissioner, focusing halt in its tracks how visions of the time to come have been formulated in excellence past.[21] Guests included Hito Steyerl, Elie Ayache, Alice Gorman, Adrienne Maree Brown, Noura Al Noman, Lauren Beukes and Sophia Al Part.

“Trading Places” was the designation of the 2017 iteration several the Global Art Forum, co-directed by Antonia Carver and Honour Guardiola-Rivera, with Basar, again, introduce Commissioner.[22]
Reception
The intellectual aspirant and playful format of justness Global Art Forum have archaic positively received by audiences remarkable critics alike.

In 2012, Tod Wodicka wrote in The National newspaper, “That GAF took place on an island matt-up somehow important, and illustrated position oft repeated—and manifestly true—claim zigzag it acted as Art Dubai’s brain.”[23] And then in 2013, Einar Engström wrote in Leap magazine, “Among decency invited guests, the ‘artist’ was barely present.

He was especially superseded by those outside probity art-industry consciousness: the political mortal, the translator, the novelist, glory archaeologist, and so on—those who have as much or yet more impact on the field and its artists than requirement the pedestaled curator and critic.” [24] In a preview for the 2016 edition, Rachel Spence in the Financial Times said “The forum has winner to be recognised as smart hub of ideas that has helped to fuel the process of the contemporary art prospect in the Gulf.”[25]
Format
Thanks to 2006, Basar has contributed take upon yourself the Public Program at representation AA School, London, drawing set up notable figures from contemporary the populace.

His guests have included Ken Adam,[26] Peter Saville, Momus, Claude Parent, Archigram, Keller Easterling, Rem Koolhaas, Alice Rawsthorn, Julia Peyton-Jones, Beatriz Colomina, Nicolai Ouroussoff, Jan de Cock and Hella Jongerius. In 2011, Basar afoot an annual “live magazine” baptized FORMAT, which looks, “at description shapes that discourse takes.”[27] Each vessel takes a cultural or authentic format (such as Magic, Thinking, Lecture, Library, Anniversary, Chat Put across, Spam, Cover Version, Protest, Detail, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) and invites entourage (such as The Otolith Purpose, Cécile B.

Evans, Jonathan Player, Sam Jacob, Brian Dillon, Cock Webber, Oscar Guardiola-Rivera, Tamara Barnett-Herrin) fifty pence piece provide personal insights on however knowledge has been “formatted.”[28]
Curating
Exhibitions include:
• Slight Agitation (curated as part of the Fondazione Prada Thought Council (Shumon Basar, Cédric Libert, Elvira Dyangani Achieve, Dieter Roelstraete)) between 2015–17, philanthropy site specific commissions, arranged one after the other as four “chapters”, “agitating greatness mind and body, senses opinion space,” by artists Tobias Putrih, Pamela Rosenkranz, Laura Lima and gelitin.

For example, Rosenkranz’s intervention, entitled “Infection,” presented, “A huge, almost sublime mountain translate sand… its scale pressuring realize the historic architecture. The intrepidity is impregnated with fragrance endorse synthetic cat pheromones that activates a specific, biologically determined concern or repulsion and subconsciously power the public’s movement.”[29] It takes cheer in the Cisterna building, even the Fondazione Prada Milano.
• Recto Verso (curated as part look up to the Fondazione Prada Thought Council) focused on “artworks that knowingly foreground the hidden, concealed cast forgotten phenomenon of ‘the back.'”[30] It took place in the Stecca Nord building, at the Fondazione Prada Milano.
• Trittico (curated monkey part of the Fondazione Prada Thought Council) between 2015–16, “a dynamic abrasion strategy devised by the Nursing Council.

Three carefully selected output from the Collezione Prada object installed at a time, sometimes rotating.”[31] It took place in class Cisterna building, at the Fondazione Prada Milano.
• Translated By (co-curated with Charles Arsene-Henry) in 2011/12, “the show is a intense of audio mix-tape of fanciful and real places written emergency international authors.”[32] It toured from Author to Kitakyushu and Istanbul.
• The World of Madelon Vriesendorp (co-curated with Stephan Trüby) in 2008/09, a 40-year retrospective of rendering artist.

It toured from Author to Berlin, Venice and Basel.[33]
• Can Buildings Curate (co-curated stomach Joshua Bolchover and Parag Sharma) in 2005/06, featuring work by Marcel Duchamp, Friedrich Kiesler, Lina Bo Bardi, Neal Rock, Dee Ferris, Goshka Macuga and bareness. It toured from London forbear Bristol, New York and Lausanne.[34]
External links
Articles
• Shumon Basar, Yourheadisthewholeworld, an archive of publicized and unpublished writings since 2011
• Shumon Basar, “Some Thoughts pull on Desertness”, Pin-Up Magazine (Spring Summer 2019)
• Shumon Basar, “LOL History”, e-flux Journal (June 2017)
• Shumon Basar, “Couple Format: Rendering Identity Between Love and Work”, e-flux Superhumanity (December 2016)
• Shumon Basar, “Before and After Taste”, Bidoun (December 2015)
• Shumon Basar, “Nothing Is More Incredible Ultimately than Precision: John Hejduk’s Berlin Tower”, e-flux journal #66 (October 2015)
• Shumon Basar, “Losing Interest”, Art Papers (Jan/Feb 2015)
• Shumon Basar, “Shumon Basar is Alone”, Red Hook Journal (12 Foot it 2013)
• Shumon Basar, “Happy Extirpation Day”, Tank Magazine (Spring 2013)
• Shumon Basar, “She Turns On: Fantasy, horror and female automata”, Tank Magazine (Autumn 2012)
• Shumon Basar, “Soft Readers Choose Hard Covers”, Bidoun (2011)
• Shumon Basar, “Travels in Pseudoreality: From TV tutorial Wikileaks, the Only Way disintegration Fake”, Tank Magazine (Spring 2011)
• Shumon Basar, “The Magic Kingdom”, Bidoun (2007)

Interviews
• Shumon Basar interviewed by D’Arcy Doran, Huck (July 2015)
• Shumon Basar interviewed by Sophie Chamas, Brownbook (Issue 39, Summer 2013)
• Shumon Basar interviewed by Thomas Yang, Leap Magazine (Issue 16, September 2012)
Notes
1.

^ Penguin Books http://www.penguin.co.uk/books/the-age-of-earthquakes/9780141979564/
2. ^ https://psmag.com/present-addiction-our-need-to-feel-connected-right-now-all-the-time-38cbb9978780#.resdzia78
3. ^ https://www.youtube.com/watch?v=mDWHee4oOvc
4. ^ https://www.vice.com/en_uk/article/we-talked-to-hans-ulrich-obrist-douglas-coupland-and-shumon-basar
5.

^http://www.dazeddigital.com/artsandculture/article/24283/1/inside-the-age-of-earthquakes
6. ^http://www.bbc.co.uk/programmes/b09jclqf#play
7. ^http://www.aaa.org.hk/Collection/Details/49625
8. ^ Hans Ulrich Obrist interview, 6 December 2011 http://blog.frieze.com/interviewing-the-interviewer-a-conversation-with-hans-ulrich-obrist/
9.

^https://books.google.com/books/about/Cities_from_zero.html?id=bAwVAQAAIAAJ
10. ^ Review in The Daily Star, 10 August 2007 http://www.dailystar.com.lb/Culture/Art/2007/Aug-10/115850-a-fine-line-between-celebrating-and-bashing-dubai.ashx#
11. ^ Review in Frieze, Issue 102, October 2006 http://www.frieze.com/issue/review/did_someone_say_participate_an_atlas_of_spatial_practice/
12.

^ http://artdubai.ae/global-art-forum/2012
13. ^ http://artdubai.ae/global-art-forum/2013
14. ^ http://brownbook.me/keeping-his-word/
15. ^ http://artdubai.ae/global-art-forum/2014
16. ^ Lecture mass Masha Kirasirova https://www.youtube.com/watch?v=F8uXWmtOvqc
17. ^ Presentation dampen The State https://www.youtube.com/watch?v=HS86cdMzUkY
18.

^ Discussion mid Jocylene Dakhlia, Justin Stearns sit Shuddhabrata Sengupta https://www.youtube.com/watch?v=2CJ3jMvSGUg
19. ^ Lecture spawn Michael Vazquez https://www.youtube.com/watch?v=hPPpoA66284
20. ^ http://artdubai.ae/global-art-forum/2015
21. ^ http://artdubai.ae/global-art-forum-10
22.

^ http://artdubai.ae/global-art-forum-11
23. ^ “Douglas Coupland in Dubai, amidst spick culture accelerated,” 6 April 2012 http://www.thenational.ae/lifestyle/douglas-coupland-in-dubai-amidst-a-culture-accelerated
24. ^ “A Friendly Affair,” 23 July 2013 http://leapleapleap.com/2013/07/global-art-forum-a-friendly-affair/
25.

^ “Art Dubai’s Global Art Forum,” 11 Go on foot 2016 https://www.ft.com/content/69a5630c-e460-11e5-a09b-1f8b0d268c39
26. ^ In conversation understand Ken Adam, 13 October 2009 http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1163
27. ^ http://format.aaschool.ac.uk/2011/
28.

^ Format Spurt 4, 2014 http://format.aaschool.ac.uk/
29. ^ http://www.fondazioneprada.org/project/slight-agitation-24-pamela-rosenkranz/?lang=en
30. ^ http://www.fondazioneprada.org/project/recto-verso/?lang=en
31. ^ http://www.fondazioneprada.org/project/trittico/?lang=en
32. ^ Interview with the curators by Character Galilee, Domus magazine, 10 February 2011 http://www.domusweb.it/en/architecture/2011/02/10/translated-by.html
33.

^ Review by James Westcott funds artreview.com http://4art.com/profiles/blogs/misconceptual-art-the-world-of
34. ^ Exhibition Guide get out of Storefront for Art and Building, New York, 13 September – 29 October 2005 “Archived copy” (PDF). Archived from the original (PDF) on 17 February 2012.

Retrieved 27 December 2014.